When faced with problems many business leaders and teams reach for familiar and standard problem-solving methods, often creating unnecessary struggle, frustration, delay, and ineffectiveness in solving the problem -- if it is ever solved at all! In other words, they keep reaching for the same old hammer as if every business problem were a nail. In Four Types of Problems, contin...(展开全部)

First published in 1930, Seven Types of Ambiguity has long been recognized as a landmark in the history of English literary criticism.Revised twice since it first appeared, it has remained one of the most widely read and quoted works of literary analysis. Ambiguity, according to Empson, includes "any verbal nuance, however slight, which gives room for alternative reactions to t...(展开全部)

First published in 1930, Seven Types of Ambiguity has long been recognized as a landmark in the history of English literary criticism.Revised twice since it first appeared, it has remained one of the most widely read and quoted works of literary analysis. Ambiguity, according to Empson, includes "any verbal nuance, however slight, which gives room for alternative reactions to t...(展开全部)

作者 李格尔（Alois Riegl，1858-1905），19世纪末20世纪初奥地利著名艺术史家，维也纳艺术史学派的主要代表，现代西方艺术史的奠基人之一。作品有《风格问题》等。毕业于维也纳大学。 译者 邵宏，广州美术学院美术史教授，暨南大学文艺学博士，中国美术学院美术学博士，武汉理工大学设计管理学博士后，广东美学学会副会长。 已出版的专著有《艺术学方法批判》（合著）、《艺术史的意义》、《美术史的观念》、《衍义的气韵》，主编及编著有《设计专业英语：西方艺术设计经典文选》、《西方设计：一部为生活制作艺术的历史》（主编）、《设计学概论（修订版）》（编著），译著有《美术术语与技法词典》（合译）、《风格问题。装饰历史的基础》、《西方美术理论文选》（合译）、《文艺复兴时期的思想与艺术》。